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• Continued to Further MY Ability &Quot;To See&Quot; ~ Worked from the Model with Portraiture and Figurative Study in Oil and Still Life in Oil. Then Progressed to Studying the Old Masters in the Ufizzi and Pitti Palace and Gleaning Knowledge and Inspiration to Embrace Within MY Own Ability to Respond with the Brush. i Felt Such Integrity and Sincerity, and Passion from These Painters, in Their Work~ Imparting to ME Possibilities One Cannot Articulate with Words but Only Hope to Convey Through the Translation of Color and Value and Line..
• Activities and Societies: 3 and 1/2 Years Including Fundamentals in Art; Figurative Study with Charcoal, Pencil and Oil Paint; Watercolor Including Subject Matter of Both Figurative and Landscape; Illustration to Include Pen and Ink, Pencil and Watercolor with Varied Subject Matter
• Activities and Societies: A 4 Year Tutelage with Richard Lack ~ Connecting ME to A Lineage of Master-Apprentice Line of &Quot;Learning to See&Quot; and the to the Craft of Picturemaking as it was Taught Pre-17th Century France Through Delarouche, Jerome and David, to Name A Few as Presented Within the Line of Painters Taught Either or Both Traditions of the French Academic and Impressionist Traditions That Emerged Through the Atelier System.
• Studio Art ~ Working from the Model with Both Oil and Watercolor ~ Extended Studies in Other Areas of Composition and Subject Outside of the Model with Both Watercolor and Oil... Many Hours~ Studio Hours.. Sometimes i Remember Repainting A Watercolor 12 Times Before i was Happy with the Results... and Painting in Oil from A &Quot;Stylized Approach&Quot; to A Very Subtle Approach in Hopes That i may Paint What was True Rather Than &Quot;My Version of True&Quot;. Companioned with the Evolution in Seeing and Letting Go, MY Art Evolved Subtley and Profoundly, and i Felt Privileged as i Continued to Appreciate Both the World Around ME and the World Awakening Within Me.. as i Wielded A Brush to Tell the Story of Both..